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Big Music is the sixteenth studio album by Scottish rock band Simple Minds. It was released on October 31 2014, by Sony Music. “Honest Town” was released as the lead single on October 10 2014. The album was available to stream from October 28 2014.
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Our side of expert music coaches is the best in the business. All coaches at BigMusic in are carefully screened and selected based on qualifications, experience and ability to engage and inspire students.
Aaron Gullotto Guitar | Bass | Bands Rock Shows
Receiving his first guitar at the age of 6, Aaron soon discovered his passion for Music and began forming bands with his friends as he entered high school.
At age 15, Aaron successfully auditioned for the Australian Institute of Music for his senior years of high school. After HSC, he continued his university studies at AIM. Aaron plays in Sydney regularly, both as a session musician and with his original band, Sly Robin.
Ben Shiva Guitar | low | Vocal Piano | rock shows
Ben finished his HSC at the Australian Institute of Music (AIM) Secondary School, where he excelled in Music with an Ensemble 6. He is currently in the middle of his Bachelor of Music at Macquarie University. His high school experience and the brilliant musicians he met along the way made his playing and performance skills were what it is today. Ben is currently the lead singer of the original band Plastic Jack and immerses himself in the thriving culture of Sydney’s music scene, co-creating Local Live, a live record label and YouTube channel for original bands from across the city.
Cleo Venner Drums | piano | vocal
While Cleo has a particular passion for typical rock, he grew up studying classical music and has a holistic approach to technique and skill acquisition. He has performed with many orchestras and stage groups and artists such as Idea of North, Synergy, Taikoz and Ice Cube. Cleo is currently studying for her Bachelor of Music Education at the Sydney Conservatory.
Connor Barratt Guitar | Head
When Connor got his first guitar at the age of 8, it was like meeting his best friend. He began performing regularly in Sydney with his brothers within a few years.
Connor achieved a group result of 5 in Music in his HSC year and completed his BA in Contemporary Performance from the Australian Institute of Music.
While Connor has played with many musicians and in many bands, a standout experience thus far in Connor’s career has been recording with Australian music legends Mark McEntee (Divinyls) and Harry Vanda (Easynet’s, Vanda and Young). Connor currently performs with his band Lucid Hoops and performs in various cover bands.
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Gene Maynard Drums | rock band shows
Gene started drumming with pots and pans at a very creative age. He now has over 30 years of musical practice, including time spent playing with members of Nick Cave & The Bad Seeds, The Cruel Sea and Go-Betweens.
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BigMusic in Needs to Be Broken Up to Save the Industry
The COVID-19 PANDEMIC has shattered the music industry. Covid has likely shut down live Music for 18 months or more, ending the revenue stream that has reinvigorated an entire music ecosystem. IT is especially true for independent performers with few other ways to make a living in today’s industry. Musicians lost two-thirds of their typical revenue in 2020.And also, Live music revenue fell 85 percent.
The Save Our Stages bill, adopted in December as part of the second round of pandemic relief, offered a lifeline. But even after it’s safe to see a live concert again, the underlying impetus of the music industry’s deep inequality will remain.
For times, corporate concentration and the rise of streaming music platforms have transferred power to tech giants and a conglomerate that, through staggering failures of US monopoly regulation, has come to dominate terrestrial radio and satellite, concert promotion, ticket sales and artist management. And venue ownership, essentially every segment of the industry that generates revenue.
A recording industry executive named Darius Van Arman gave a speech before the Grammy Awards about the state of the music industry. And also, Co-owner of the Secretly Group, Bon Ivar, Dinosaur Jr. And The War on Drugs, an independent record label that has become a producer of flavors and hits. Van Arman suggested a simple litmus test to see if the Music was “independent. It was a shape-shifting term applied to everything from punk bands playing basement gigs to the cash-money “indie” subsidiaries of major record companies. “You are independent if you are competitive,” he said.
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Big Music received generally helpful reviews from music critics. On the review gatherer site Metacritic (which assigns a “Metalcore” based on ratings and reviews from select major independent publications. The album scores 75 out of 100 based on 12 reviews, indicating “generally favourable reviews. Giving the album three out of five stars, The Guardian said. The band have managed to make a pop album that is both timbre-y and interesting enough to give it a contemporary edge.
The album’s release campaign began with the release of “Blindfolded” as a video teaser (not a single) on September 4, 2014. Therefore, album logo was revealed on September 4, 2014.
On September 23, 2014, Simple Minds announced that Jim and Charlie would be special guests on The Chris Evans Breakfast Show. Where they will perform four tracks acoustically for the first time on Friday morning, September 26, 2014.
Previously announced for October 2014, the album was released on October 31, 2014, in Austria, Belgium, Germany, Ireland, the Netherlands, Norway, South Africa and Switzerland, and other countries on November 3, 2014.
The album was released by Caroline Records in the UK and Ireland, Embassy Of Music in Germany, and Sony (under license from Embassy of Music) in other European countries.
He didn’t specifically mention the big three (Universal, Sony, and Warner Music), but his logic suggested something inherently anti-competitive about them. He later clarified in a meeting that if you’re independent. You don’t “want to reduce competition by winning competitors” or work for other unfair advantages pushing the industry toward corporate dominance.
Bigmusic In Conclusion:
BigMusic Information Retrieval (MIR)—a term that embraces a range of interdisciplinary but science-based approaches to gaining information about music remains. A somewhat enigmatic part of the music studies field for many musicologists. And also, Some of the reasons for this are considered below. The more recent arrival of Big Music Data (BMD). Very large-scale collections of data about music in the form of audio recordings, consumer preferences, bibliographic information, etc. Is an emergent topic that, as David Huron argues. Contributes to the transformation of musicology from a data-poor to a data-rich field. This article considers the relationships between MIR, BMD, and musicology, particularly about the analysis of recorded music.
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